Join us at Inspace to celebrate the opening reception of Morphological Murmurations a new multisensory installation engaging audiences kinaesthetically with language, forming this year’s Edinburgh College of Art exhibition highlight for the 2026 Edinburgh Art Festival and Edinburgh Festival Fringe.
EXHIBITION OPENING
Join us at Inspace, to meet the artists behind the work and for the opening reception of Morphological Murmurations, celebrating and presenting this multisensory installation and featuring a new collaboration by Theodore Kotwerwas and Stephanie Lamprea for the 2025 Edinburgh Art Festival and Edinburgh Festival Fringe.
Come along to this event to discover how artists are playfully exploring artifical intelligence (AI), specifially Large Language Models, systems designed to understand and analyze human language, through movement and audio visual technology.
Date: Tues 24 August 2026
Time: 18:00-20:00 | Free/Ticketed
Location: Inspace, 1 Crichton St, Newington, Edinburgh EH8 9AB [Fringe Venue 574]
Featured Artists
Theodore Koterwas is an artist, designer and musician is an artist working with data, physical phenomena and the human body to make things resonate. He seeks to draw critical attention to aspects of daily experience that go unnoticed but profoundly impact on how we understand each other, technology and the environment. His multidisciplinary practice produces art installations, performances, museum exhibitions, and software applications for public engagement, creative collaboration, and teaching and learning. His AI-generated interactive video installation “The Nth Wave” was shortlisted for the 2021 Lumen Prize for Art and Technology, and his voice-cloning installation “all the boys ate a fish” was a finalist in 2024.
His practice-based research and teaching explores multi-sensory physical interactions with artificial intelligence—examining how these interactions shape our self-understanding and our ability to perceive, empathise, and communicate with “others,” both human and non-human. This work encompasses distributed cognition, non-rational ways of experiencing and knowing, the uncanny, and agency and creativity in non-humans.
Colombian-American soprano Stephanie Lamprea is an architect of new sounds and expressions as a performer, recitalist, curator, composer, and improviser, specializing in contemporary-classical repertoire. Trained as an operatic coloratura, Stephanie uses her voice as a mechanism of avant-garde performance art, creating “maniacal shifts of vocal production and character… like an icepick through the skull” (composer Jason Eckardt). She has been praised by Opera News Magazine for “her iconoclasm and fearless commitment to new sounds” and for her “impressive display of extended vocal techniques, in the honorable tradition of such forward-looking artists as Bethany Beardslee, Cathy Berberian and Joan La Barbara.”
She has performed as a soloist at Roulette Intermedium (New York City), Constellation Chicago, Sound Scotland, Kings Place (London), Southbank Centre (London), the Huddersfield Contemporary Music Festival, the National Concert Hall (Dublin), the Centre for Contemporary Art (Glasgow), the Hidden Door Festival (Edinburgh), and the Casa da Música (Porto). She has collaborated with leading new music ensembles and bands including the Riot Ensemble, International Contemporary Ensemble, the City of London Sinfonia, Sō Percussion, and Post Coal Prom Queen.
Data Protection Statement
How we use and store your data – In providing this information, you are giving explicit consent for us to use your data in our programme and event monitoring, reporting and evaluation processes. The data is managed confidentially. Your data will be collected and held by the Institute for Design Informatics, University of Edinburgh (who operate Inspace), it will also be shared with event partners and organisations for this event (e.g. Theodore Koterwas). Your data will only be reported or published in anonymous aggregated forms and will always be processed in accordance with the Data Protection Act 2018 and therefore also in accordance with the General Data Protection Regulation (GDPR).
Data retention period – We will hold this information for a maximum period of 5 years from the date of the event, after which it will be disposed of. Please read the University’s privacy and Data Protection notice (https://data-protection.ed.ac.uk/notice) for further information.
Opt out – If you do not wish to share your information, or would like to modify your consent to collection and processing of personal information, please email us at: designinformatics@ed.ac.uk
If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk.
About Inspace
Inspace is part of the Institute for Design Informatics and is a collaborative hub, commissioning and producing creative activity. Our public programme connects data, research and creative talent. We host events and exhibitions where people can explore, learn, debate and create. Our programme unlocks digital technologies, tools and data and explores their role in society through a creative lens. We are home to Inspace City Screens, a unique seven screen street front projection space visible from Potterrow in Edinburgh.