Join the Artist, Theodore Koterwas, for a Guided Lunchtime Tour of Morphological Murmurations immersive installation.
Morphological Murmurations
A multisensory installation engaging audiences kinaesthetically with language
Guided Lunchtime Tour
Join the Artist, Theodore Koterwas, for a Guided Lunchtime Tour of Morphological Murmurations immersive installation. This is a one off chance to explore the installation and hear directly from Koterwas about the inspiration and process behind the work. Don’t miss this opportunity to pop along to interact with the work and hear more about the themes and topics it invites you to explore.
Date: Thurs 27 Aug, 2026
Times: 13:00-14:00 (1hr) | Free/Ticketed
Location: Inspace, 1 Crichton St, Edinburgh, EH8 9AB
Audience: General public
Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible
This event has limited capacity and so registration is preferred. Drop-ins are welcome, but participants with tickets are guaranteed entry. If you have any enquiries about the events and venues, please contact event organisers at designinformatics@ed.ac.uk
Please note this event will be photographed by Design Informatics – Photographs will be used for future marketing, promotional, reporting and archival purposes. If you would prefer not to be photographed, please let us know at the event.
Artist
Theodore Koterwas is an artist, designer and musician is an artist working with data, physical phenomena and the human body to make things resonate. He seeks to draw critical attention to aspects of daily experience that go unnoticed but profoundly impact on how we understand each other, technology and the environment. His multidisciplinary practice produces art installations, performances, museum exhibitions, and software applications for public engagement, creative collaboration, and teaching and learning. His AI-generated interactive video installation “The Nth Wave” was shortlisted for the 2021 Lumen Prize for Art and Technology, and his voice-cloning installation “all the boys ate a fish” was a finalist in 2024.
His practice-based research and teaching explores multi-sensory physical interactions with artificial intelligence—examining how these interactions shape our self-understanding and our ability to perceive, empathise, and communicate with “others,” both human and non-human. This work encompasses distributed cognition, non-rational ways of experiencing and knowing, the uncanny, and agency and creativity in non-humans.
Data Protection Statement
How we use and store your data – In providing this information, you are giving explicit consent for us to use your data in our programme and event monitoring, reporting and evaluation processes. The data is managed confidentially. Your data will be collected and held by the Institute for Design Informatics, University of Edinburgh (who operate Inspace), it will also be shared with event partners and organisations for this event/talk (e.g. Theodore Koterwas). Your data will only be reported or published in anonymous aggregated forms and will always be processed in accordance with the Data Protection Act 2018 and therefore also in accordance with the General Data Protection Regulation (GDPR).
Data retention period – We will hold this information for a maximum period of 5 years from the date of the event, after which it will be disposed of. Please read the University’s privacy and Data Protection notice (https://data-protection.ed.ac.uk/notice) for further information.
Opt out – If you do not wish to share your information, or would like to modify your consent to collection and processing of personal information, please email us at: designinformatics@ed.ac.uk
If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk.
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