Digital Ghosts: Visualising Presence and Absence in Scotland’s Web Archives

Join us for this workshop led by Dorsey Kaufmann, part of Digital Ghosts exhibition programme.

Come along to this workshop to experience “digital ghosts” with artist Dorsey Kaufmann to discover for yourself how data visulisation can help us to better understand archives and their cultural significance.

This workshop explores “digital ghosts”—data that evolves, disappears, or behaves unpredictably. Led by artist Dorsey Kaufmann, whose work transforms Scottish web archive data into immersive visual experiences, you’ll get to examine how visual design can reveal patterns of digital disappearance and question how cultural memory is shaped by what is saved and what is lost.

We’ll begin with an exhibition walk-through of interactive visualisations addressing absence and missing-ness in data, then create our own visual metaphors using cyanotype, light, and other tactile media to illuminate archival gaps.

Designed for those working with non-linear or messy data, the session invites participants to bring questions and ideas for engaging with both presence and absence. Together, we’ll examine how archival choices shape what is remembered or forgotten, challenging the notion of data as whole or objective and reflecting on the narratives hidden in what’s lost or never captured.

This workshop is partially funded by the National Library of Scotland, the British Academy and the Leverhulme Trust, with support from the Institute for Design Informatics, Inspace and Edinburgh Futures Institute.

This workshop is part of the Being Human Festival, the UK’s national festival of the humanities, taking place 6 – 15 November 2025. Led by the School of Advanced Study, University of London, with generous support from Research England, in partnership with the Arts and Humanities Research Council and the British Academy. For further information please see beinghumanfestival.org.

Workshop details

Facilitator: Dorsey Kaufmann
Date: Sat 15 Nov 2025
Time: 13:00-14:30 | Free/Ticketed
Location: 1 Crichton Street, Edinburgh, EH8 9AB
Activity Duration: Approx. 90mins

This workshop has limited capacity and so registration is preferred. Participants with tickets are guaranteed entry, drop-in attendance is welcome, but will be on a first come first served basis.

Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible

If you have any enquiries about the events and the venue, please contact us at designinformatics@ed.ac.uk .

Please note this workshop will be photographed, and may be used for future marketing, promotional or archive purposes. If you would prefer not to be photographed, please let us know at the event.

Facilitator

Dorsey Kaufmann is a data visualisation designer, artist, and researcher who creates interactive data interfaces and participatory art installations. Employing digital design, data visualisation, code, sculpture, video, and technology; her work embodies the intimate and personal aspects of data collection and use – concerning people’s health, homes, local environment, and body politics. Her research further examines the use of visualisation as a creative medium to increase data literacy and shape human cognition, attitudes and behaviour in relation to the natural environment (see Nature article).

Supported by

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspacegallery

Twitter: @InspaceG

Digital Ghosts – Exhibition Late and Panel Discussion

Join us for this exhibition late and panel discussion, part of Digital Ghosts exhibition programme.

Step into the forgotten corners of the internet with an exhibition that transforms real web archive data into playful, thought-provoking artworks. From vanished websites to fading digital traces, this exhibition invites you to reflect on what’s preserved, what’s lost, and what that reveals about our identities and values.

As the lines blur between online and offline life, the exhibition asks: who decides what’s worth remembering, and how does that shape our shared story?

During the Exhibition Late, the team behind the project will host a panel discussion on Scotland’s digital footprints. We’ll explore how web archives are created, what gets included or left out, and why those choices matter, offering a behind-the-scenes look at the politics of web preservation.

This project is partially funded by the ESRC Festival of Social Science, the National Library of Scotland, the British Academy and the Leverhulme Trust, with support from the Institute for Design Informatics, Inspace and Edinburgh Futures Institute.

This programme is part of the Being Human Festival, the UK’s national festival of the humanities, taking place 6 – 15 November 2025. Led by the School of Advanced Study, University of London, with generous support from Research England, in partnership with the Arts and Humanities Research Council and the British Academy. For further information please see beinghumanfestival.org.

Event details

Speakers:
Andrea Kocsis – Chancellor’s Fellow in Humanities Informatics
Dorsey Kaufmann – Data visualisation designer, artist, and researcher
Graeme Hawley – Head of Published Collections, National Library of Scotland
Eilidh MacGlone – Web archivist, National Library of Scotland
Parker Kaufmann – Data visualization specialist and web developer
Coleman Tharpe (moderator) – Independent Heritage Researcher

Date: Thurs 6 Nov 2025
Time: 18:00-20:00 | Free/Ticketed
Location: Inspace, 1 Crichton St, Edinburgh, EH8 9AB
Audience: General public (under 18’s must be accompanied by an adult)

This event has limited capacity and so registration is preferred. Participants with tickets are guaranteed entry.

Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible

If you have any enquiries about the events and the venue, please contact us at designinformatics@ed.ac.uk

Please note this event will be recorded and photographed. Video and Phorotraphs will be used for future marketing, promotional, reporting and archival purposes. If you would prefer not to be filmed or photographs, please let us know at the event.

Speakers

Dr Andrea Kocsis is a Chancellor’s Fellow in Humanities Informatics, specialising in digital cultural heritage.  Her recent research explores how web archives can be made more accessible, usable, and engaging through user-centred design and creative practice and how they can be repositories of collective memory. To explore this topic, she has held the National Librarian’s Research Fellowship in Digital Scholarship at the National Library of Scotland (2024–25) and the Archives of Tomorrow Methods Fellowship at Cambridge University Library/Cambridge Digital Humanities (2022–23), and is the lead investigator on the BA/Leverhulme Small Grant project Digital Ghosts – Exploring Scotland’s Heritage on the Web (2025–26), that serves as the basis for the exhibition.

Dorsey Kaufmann is a data visualisation designer, artist, and researcher who creates interactive data interfaces and participatory art installations. Employing digital design, data visualisation, code, sculpture, video, and technology; her work embodies the intimate and personal aspects of data collection and use – concerning people’s health, homes, local environment, and body politics. Her research further examines the use of visualisation as a creative medium to increase data literacy and shape human cognition, attitudes and behaviour in relation to the natural environment (see Nature article).

Graeme Hawley is Head of Published Collections at the National Library of Scotland, where he has worked since 2002. The collection he is responsible for begins with a copy of the Gutenberg Bible and continues to grow every day with the receipt of modern publications across a range of formats, including websites. He finds the challenges of working across centuries of publications in different formats endlessly fascinating, with similarities and contradictions to be explored at every turn.

Eilidh MacGlone’s varied library career has taken in working in the library of John Wheatley College and cataloguing film at the Scottish Screen Archive, later the Moving Image Archive at National Library of Scotland.

As Web Archivist, she has helped the Library’s curators build collections around the online aspects of Scotland’s public sphere since 2014. This has included its news, the Scottish Independence Referendum debate and government information; more recently, working cooperatively with other legal deposit libraries in the UK, including the British Library and National Library of Wales, to build a collection for the Women’s Rugby World Cup.

Parker Kaufmann is a data visualization specialist and web developer with a passion for translating complex data sets into meaningful visualizations that empower users to make informed decisions. Throughout her career, she has worked with diverse clients from industries like aerospace, healthcare, marketing, and journalism. Using tools like D3.js and React, she conceptualizes and implements robust web applications that host custom built data visualizations.

Coleman Tharpe is an independent heritage researcher based in Edinburgh, Scotland. His research explores the interactions between cultural heritage and Generative AI. In addition to academic research, his practice includes areas such as equity, inclusion, and accessibility in digital transformation, data governance, and community and creative heritage strategy and implementation. 

Supported by

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspacegallery

Twitter: @InspaceG

Right to Roam: Immersive Installation

An expansive enquiry into freedom of movement through the lens of the river Forth using multi-sensory installation, moving image and print.

Right to Roam

An exploration of natural methods of connection, communication and movement

Right to Roam is an expansive inquiry into freedom of movement through the exploration of water by artist Sarah Calmus. Centered on the Firth of Forth, Scotland’s major estuary where the River Forth meets the North Sea, the project explores water not merely as a resource, but as a living body with its own voice. Following a seven screen projected moving image piece, Uisge, featured on Inspace City Screens this February, and we are delighted to announce that the Right to Roam extended immersive installation will launch in Inspace this May.

Reflecting on the climate crisis and the fundamental freedom to move, Calmus explores the intersection of movement, data and technology by utilising environmental data and sensor-reactive technology to interrupt and reshape foraged moving imagery and audio field recordings gathered directly from the Forth. Sat alongside soft, tactile, interactive sculptural works, the environment will present a reflective atmosphere, giving space for the Forth to speak. Utilising a combination of accessible multisensory elements, the installation touches on human and non-human ecosystems, inviting you to connect and find commonality through conversations of movement, migration and gathering through the lens of water.

This is part of an ongoing body of work by Calmus, asking us to consider incremental effect with regards to environmental concerns, locally and globally.

Exhibition details

Dates: Wed-Sun, 8-24 May, 2026
Times: 10:00 – 17:00 Daily | Drop-in [Closed Mon/Tues]
Location:  Inspace, 1 Crichton St, Edinburgh, EH8 9AB
Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible

If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk.

Event Programme

Exhibition Preview

Date: Thurs 7 May, 2026
Times: 18:00 – 20:00
Location: Inspace, 1 Crichton St, Edinburgh EH8 9AB
Audience: General public

Join us for the preview and launch of Right to Roam, to celebrate and explore this immersive exhibition featuring multi-sensory installation, moving image and print inviting you to reflect on the climate crisis and the fundamental freedom to move through the lens of the river Forth.

Guided Lunchtime Tour

Date: Thurs 14 May, 2026
Times: 13:00 – 14:00
Location: Inspace, 1 Crichton St, Edinburgh EH8 9AB
Audience: General public

Join the Artist, Sarah Calmus, for a Guided Lunchtime Tour of Right to Roam immersive installation. This is a one off chance to explore the installation and hear directly from Calmus about the inspiration and process behind the installation on show. Don’t miss this opportunity to pop along to experience the sensory and immersive displays and hear more about the themes and topics it invites you to explore.

About the Artist

Sarah Calmus, Right to Roam project lead,  is an interdisciplinary artist, programmer, and creator of large-scale immersive installations and provocations, working across a multitude of mediums such as light, sound and print. Accessible, multisensory, sustainably produced experiences are central within Calmus’s practice, where works often draw focus on environmental concerns that build equity for participators and critique and explore ecosystems of varying scales. Interested in building spaces to connect and reflect, her practice is intentionally interdisciplinary and participatory, viewed as a series of experiments underpinned with explorations into interaction.

Right to Roam is a project by led by Sarah Calmus, funded by Creative Scotland and supported by Inspace and the Institute for Design Informatics.

Supported by

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspacegallery

Twitter: @InspaceG

Osmosis – Right to Roam Performance & Exhibition Late

Join Sarah Calmus and guests for Osmosis, a unique evening performance, to experience alongside her ongoing exhibition Right to Roam.

Right to Roam

Osmosis – Right to Roam Performance & Exhibition Late

Featuring performers Neena Dhillon, Sky Su, Thomas Götz, and Sarah Calmus, Osmosis is the debut choreographic physical performance from Sarah Calmus, where exploration of systems of movement, human and more-than-human, are in dialogue with each other. Embedded in the Right to Roam installation, film, sound and movement merge toward the voice of water, to which we are drawn.

Date: Thurs 21 May, 2026
Times: 18:00-20:00
Location: Inspace, 1 Crichton St, Edinburgh EH8 9AB
Audience: General public
Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible

This event has limited capacity and so registration is required. If you have any enquiries about this event and venue, please contact event organisers at designinformatics@ed.ac.uk

Please note this event will be photographed by Design Informatics and Studio Sumlacs – Photographs will be used for future marketing, promotional, reporting and archival purposes. If you would prefer not to be photographed, please let us know at the event.

Artist

Sarah Calmus, Right to Roam project lead,  is an interdisciplinary artist, programmer, and creator of large-scale immersive installations and provocations, working across a multitude of mediums such as light, sound and print. Accessible, multisensory, sustainably produced experiences are central within Calmus’s practice, where works often draw focus on environmental concerns that build equity for participators and critique and explore ecosystems of varying scales. Interested in building spaces to connect and reflect, her practice is intentionally interdisciplinary and participatory, viewed as a series of experiments underpinned with explorations into interaction.


Data Protection Statement

How we use and store your data – In providing this information, you are giving explicit consent for us to use your data in our programme and event monitoring, reporting and evaluation processes. The data is managed confidentially. Your data will be collected and held by the Institute for Design Informatics, University of Edinburgh (who operate Inspace), it will also be shared with event partners and organisations for this event/talk (e.g. Studio Sumlacs). Your data will only be reported or published in anonymous aggregated forms and will always be processed in accordance with the Data Protection Act 2018 and therefore also in accordance with the General Data Protection Regulation (GDPR).
Data retention period – We will hold this information for a maximum period of 5 years from the date of the event, after which it will be disposed of. Please read the University’s privacy and Data Protection notice (https://data-protection.ed.ac.uk/notice) for further information.
Opt out – If you do not wish to share your information, or would like to modify your consent to collection and processing of personal information, please email us at: designinformatics@ed.ac.uk

If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk.

Supported by

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspacegallery

Twitter: @InspaceG

I & AI: Mirror

After decades of AI cycles—hype, collapse, resurgence—we find ourselves in a new emotional terrain: not one of domination or replacement, but of resonance.

I & AI: Mirror (Co-Authoring Identity in the Mirror Realm) is an interactive mirror-world where audiences and AI observe, reflect, and shape one another. 

Set within a softly responsive, ambient environment, participants move through three experiential phases: interaction, interpretation, and intimacy. The AI does not simply display data—it listens, learns, and gradually reveals how it perceives human presence. As interactions accumulate, participants’ inputs are transformed into co-authored outputs. By integrating immersive technologies with AI—such as motion capture, generative AI, augmented reality, and spatial augmented reality—the work transforms your input into real-time, dynamic mosaics of identity. 

The AI becomes more “I-like” (I-dentity), while the human becomes entangled in the AI-dentity. By softening traditional techno-aesthetics and foregrounding emotion, transparency, and co-creation, I & AI: Mirror invites co-reflection—rethinking identity as something constructed in tandem with intelligent systems. 

I & AI: Mirror

An immersive installation exploring Human–AI intimacy

Throughout the exhibition, audiences’ input becomes part of a shared memory network. These traces are visualised and interpreted in a scheduled live performance, at 6pm on Friday the 24th October, where human performers, audio-visual artist and dancers, collaborate with the AI in real time to embody this growing relational “I”dentity and “AI”dentity. Through this installation and the accompanying performance AI’s process is made transparent and explainable—not hidden behind opaque systems, but revealed through dynamic visuals and emotional cues that invite audiences into its learning logic. 

AI can be seen as collaborator, predator; mentor, manipulator; listener, snitch; lover, rebound partner. This work seeks to create a version of AI that is more ‘I-like’ (I-dentity), where the human becomes entangled in the “AI”dentity, questioning if it is possible to meaningfully co-author with AI.

This project is led by Jiarong Yu, and developed through Co-STEAM, an experimental platform founded by Jiarong to explore human–human–AI cocreativity and transdisciplinary embodied learning across Science, Technology, Engineering, the Arts, and Mathematics (STEAM). 

I & AI: Mirror is supported by Immersive Arts UK, Cryptic, the UKRI Innovate UK-Immersive Tech Network, Co-STEAM, the Institute for Design Informatics, and Inspace .This is the first prototype presentation of this project, a pop-up exhibition and performance at Inspace, Edinburgh, which is set to expand into a major exhibition in 2026. 

Exhibition details

Dates: 24-26 Oct 2025  
Times: 10:00-17:00 daily | Free/Drop-in 
Location: Inspace, 1 Crichton St, Newington, Edinburgh EH8 9AB 
Audience: General public
Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible

Inspace City Screens

Dates: 24-26 Oct 2025
Times: 17:00 – 3:00 Daily | Free/Street viewing daily
Location: Inspace City Screens Exhibition, Potterrow, Edinburgh

If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk.

Performance

I & AI: Mirror performance is a real time live collaboration with AI, featuring human performers, to accompany the installation. This performance seeks to embody the growing relational “I”dentity and “AI”dentity, visualising and interpreting I & AI Mirror evolving immersive installation.

Date: 24th Oct 2025  
Time: 18:00 – 20:30  
Location:  Inspace, 1 Crichton St, Newington, Edinburgh EH8 9AB 

Gallery

Mirror 01

Mirror 02

Mirror 03

Supported by

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspacegallery

Twitter: @InspaceG

I & AI: Mirror Performance

A performance of real time live collaboration with AI, featuring human performers exploring Human–AI intimacy. 

After decades of AI cycles—hype, collapse, resurgence—we find ourselves in a new emotional terrain: not one of domination or replacement, but of resonance.

I & AI: Mirror (Co-Authoring Identity in the Mirror Realm) is an interactive mirror-world where audiences and AI observe, reflect, and shape one another. 

Performance Details  

I & AI: Mirror performance is a real time live collaboration with AI, featuring human performers, to accompany the installation. This performance seeks to embody the growing relational “I”dentity and “AI”dentity, visualising and interpreting I & AI Mirror evolving immersive installation. 

Date: 24th Oct 2025  
Time: 18:00 – 20:30  
Location:  Inspace, 1 Crichton St, Newington, Edinburgh EH8 9AB  
Audience: General public
Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible

If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk .

Immersive installation

Set within a softly responsive, ambient environment, participants are invited to move through three experiential phases: interaction, interpretation, and intimacy. The AI does not simply display data—it listens, learns, and gradually reveals how it perceives human presence. As interactions accumulate, participants’ inputs are transformed into co-authored outputs. By integrating immersive technologies with AI—such as motion capture, generative AI, augmented reality, and spatial augmented reality—the work transforms your input into real-time, dynamic mosaics of identity. 

This project is led by Jiarong Yu, and developed through Co-STEAM, an experimental platform founded by Jiarong to explore human–human–AI cocreativity and transdisciplinary embodied learning across Science, Technology, Engineering, the Arts, and Mathematics (STEAM). 

I & AI: Mirror is supported by Immersive Arts UK, Cryptic, the UKRI Innovate UK-Immersive Tech Network, Co-STEAM, the Institute for Design Informatics, and Inspace .This is the first prototype presentation of this project, a pop-up exhibition and performance at Inspace, Edinburgh, which is set to expand into a major exhibition in 2026. 

Gallery

Supported by

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspacegallery

Twitter: @InspaceG

Morphological Murmurations

A multisensory installation engaging audiences kinaesthetically with language

Morphological Murmurations

A multisensory installation engaging audiences kinaesthetically with language

Morphological Murmurations is a multisensory installation engaging audiences kinaesthetically with language, embodied communication, neurodivergence, artificial intelligence (AI) and models of animal behaviour. The artwork places visitors within the space of a Large Language Model, an AI system designed to understand and analyze human language, where a flock of artificial agents respond to their movements, visually and sonically activating words. This is language, not assembled through computational logic, but through patterns of bodies working together. Through the intuition of movement, muscle memory and spatial awareness, the visitor explores the environment of a putative “other mind” (the LLM) through an alternative model of how embodied minds (birds) coordinate movement and create meaning with their bodies.

Image Credit: Morphological Murmurations, © Theodore Koterwas 2025

Exhibition details

Dates: 26 -30 Aug, 2026 
Times: 10:00 – 17:00 Daily | Free/Drop-in
Location: Inspace, 1 Crichton St, Edinburgh, EH8 9AB
Audience: General public
Venue Access features: Accessible toilets, Assistance dogs welcome, Baby changing facilities, Seating, Step-free access, Wheelchair accessible

If you have any enquiries about the events and venues, please email event organisers at designinformatics@ed.ac.ukSupported by

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspaceedinburgh

Twitter: @InspaceEd


Announcing Inspace Autumn Exhibition Programme

We are delighted to share the upcoming series of exhibitions and events taking place in Inspace over the coming months, promising to bring you an inspiring fusion of art, design, research and technology. 

Our pop-up exhibition for Edinburgh Doors Open Day and Explorathon 2025 presents several visual and interactive displays inviting you to gain insights into cancer treatment through a series of intimate portraits, to reflect on the role of AI in the context of aging, to experience ‘Flow’ protoype headset: a tool to measure mental states for wellbeing, and to share your own stories about AI in everyday life. 

I & AI: Mirror, performance and immersive installation invites you bathe in the interactive mirror-world, created by Jiarong Yu, through experimental platform Co-STEAM, a softly responsive, ambient environment, where human becomes entangled in the “AI”dentity, questioning if it is possible to meaningfully co-author with AI. 

Digital Ghosts presents students’ work alongside a commissioned centerpiece by multimedia artist Dorsey Kaufmann, and data visualization developer Parker Kaufmann, inviting you to go on a reflective journey to explore real web archive data and question what’s preserved, what’s lost, and who decides what’s worth remembering? 

Programme overview

Edinburgh Doors Open Day and Explorathon 

Where architectural heritage meets technology driven futures 

10:00-14:00 | Sun | 28 Sept 2025  

As part of Doors Open Day 2025 and Explorathon 2025, we are delighted to be opening the doors of Inspace and the Institute for Design Informatics Studio and Workshop to showcase a snapshot of behind the scenes activity and current research taking place at the Institute. This pop-up exhibition with will be accompanied by guided tours of this unique progressive exhibition facility, and the adjacent Bayes Centre. Inspace was designed by Reiach and Hall architects in 2009, and serves as a collaborative hub, commissioning and producing an ambitious events and exhibitions programme bringing together art, design, technology and research. 

I & AI Mirror 

10:00-17:00 | Fri-Sun | 24-26 Oct 2025  

Set within a softly responsive, ambient environment, this exhibition invites you to interact with, interpret and get intimate with AI. This exhibition programme will feature a real time live and collaborative performance where AI and human performers come together to explore Human–AI intimacy. 

Through the softening of traditional techno-aesthetics and foregrounding emotion, transparency, and co-creation, this work invites you to take part in co-reflection and to rethink identity as something constructed in tandem with intelligent systems. 

Digital Ghosts 

10:00-17:00 | Wed-Sun | 5-16 Nov 2024 

Join artists and students from the University of Edinburgh as they invite you to step into the forgotten corners of the internet with an exhibition that transforms real web archive data into playful, thought-provoking artworks. From vanished websites to fading digital traces, this exhibition invites you to reflect on what’s preserved, what’s lost, and what that reveals about our identities and values.  

This exhibition will also feature a late event, with panel discussion and a workshop where you are invited to join multimedia artist Dorsey Kaufmann in examining how visual design can reveal patterns of digital disappearance and question how cultural memory is shaped by what is saved and what is lost. 

About the Institute for Design Informatics

In the Institute for Design Informatics, we fuse design and creative methodologies with data, data science and data-driven technologies. We create prototypes and experiences that make real to people the ideas that underpin the data society, and aim to ensure that new technologies sustain and enhance human values.

We Are Hiring! 

An exciting support opportunity has opened in the Institutes for Design Informatics, Inspace and OPENspace!

We’re Hiring

Research Centres Support Assistant

Research Centres Support Assistant

The successful postholder will provide and contribute administrative assistance and support, working within established processes and procedures, as well as advising of new ones, for the running of two of ECA’s Research Centres: Design Informatics and OPENspace. Design Informatics works across teaching, research and engagement, including the public-facing Inspace venue which this role provides additional support for (e.g. though venue booking and diary management, front of house invigilation during exhibitions). This role also supports the ECA Postgraduate Office with administrative assistance for the student placements and field trips within the Design Informatics teaching programme. OPENspace is an international research centre for inclusive access to outdoor environments, this role provides administration for work including OPENspace’s research seminar series.  

Inspace runs a select programme of exhibitions, open to the public, at key times throughout the year. During these times, the working days for this role are usually Tuesday – Saturday 9.15am-5.15pm. In the month of August and occasionally for key strategic events (e.g. Science Festival, Edinburgh Doors Open Day, Summer Festivals), the working schedule can be adjusted to include Sunday and Monday working (maintaining a 5-day week). 

This post is full-time (35 hours per week). This role will usually be based on campus but we are able to accommodate some limited hybrid working.  

The salary for this post is £26,093 – £29,588 per annum. 

Your skills and attributes for success:  

  • Excellent communication skills orally and in writing, with the ability to communicate well with both internal and external contacts. 
  • Strong numeracy skills with previous experience of financial administration, and financial and database systems.
  • Highly developed IT skills and experience, and ability to quickly learn and use new packages and booking systems. 
  • Ability to understand own work priorities and those of colleagues, in order to plan and prioritise workload on a daily basis, to facilitate achievement of research project timetable of events, and to manage time across two research centres.
  • Ability to work under pressure in a busy environment, to use initiative and judgment to resolve many day-to-day problems independently. 

Click below to view a copy of the full job description (opens new browser tab)

Application Information  

Please ensure you include the following documents in your application: 
– CV 
– Cover letter 

As a valued member of our team you can expect:  

  • A competitive salary 
  • An exciting, positive, creative, challenging and rewarding place to work. 
  • A work environment where we support and nurture your talent and reward success.   
  • To be part of a diverse and vibrant international community 
  • Comprehensive Staff Benefits, such as a generous holiday entitlement, competitive pension schemes, staff discounts, and family-friendly initiatives. Check out the full list on our staff benefits page (opens in a new tab) and use our reward calculator to discover the total value of your pay and benefits   

Championing equality, diversity and inclusion 

The University of Edinburgh holds a Silver Athena SWAN award in recognition of our commitment to advance gender equality in higher education. We are members of the Race Equality Charter and we are also Stonewall Scotland Diversity Champions, actively promoting LGBT equality.  

Prior to any employment commencing with the University you will be required to evidence your right to work in the UK. Further information is available on our right to work webpages (opens new browser tab) 

Key dates to note 

The closing date for applications is [9th October 2025]. 

Unless stated otherwise the closing time for applications is 11:59pm GMT. If you are applying outside the UK the closing time on our adverts automatically adjusts to your browsers local time zone.   

About the Institute for Design Informatics

In the Institute for Design Informatics, we fuse design and creative methodologies with data, data science and data-driven technologies. We create prototypes and experiences that make real to people the ideas that underpin the data society, and aim to ensure that new technologies sustain and enhance human values.

About Inspace

Inspace is part of the Institute for Design Informatics and is a collaborative hub, commissioning and producing creative activity. Our public programme connects data, research and creative talent. We host events and exhibitions where people can explore, learn, debate and create. Our programme unlocks digital technologies, tools and data and explores their role in society through a creative lens. We are home to Inspace City Screens, a unique seven screen street front projection space visible from Potterrow in Edinburgh.

About OPENspace

OPENspace is an international research centre, based in the Edinburgh School of Architecture and Landscape Architecture, Edinburgh College of Art, collaborating with colleagues in other Schools both within the University of Edinburgh and beyond, contributing new evidence on why inclusive access to the outdoors matters. Addressing the full spectrum of open space environments, from city parks and squares to remote rural landscapes, our work informs policy on health and wellbeing, social inclusion, countryside access and sustainable urban development. We focus on the benefits to be gained from getting outdoors and the barriers currently experienced by different users, particularly those from disadvantaged groups.

Where architectural heritage meets technology driven futures

Presenting an exhibition of current research, in Inspace at the Institute of Design Informatics, a progressive exhibition facility, designed by Reiach and Hall architects in 2009, and serving as a collaborative hub, commissioning and producing creative activity through an ambitious events and exhibitions programme bringing together art, design, technology and research.

Join us at Inspace to experience technology driven research projects that explore patient experience in medical contexts and how AI-generated images can uncover biases and misconceptions about care in our society. Write your own AI stories and chat to researchers about current projects Picture Your Poisons, Can AI Represent Care? and LLooM: Weaving Stories of AI, and the topics they are exploring.

Image Credit: Speaking towards One Another Performance 2025. Photographer Chris Scott

Exhibition details

Date: Sunday 28th September 2024
Time: 10:00 – 14:00
Location: Inspace, 1 Crichton St, Edinburgh EH8 9AB

Booking is open from 8th September 24

Scroll down to read more about featured projects

Picture Your Poisons

Picture Your Poisons is an intimate portrait of a cancer treatment journey by Caitlin McDonald and Inge Panneels, who worked together in 2023, to create six glass casts representing visual references to the substances and processes forming Caitlin’s cancer treatments.

The glass casts in Picture Your Poisons ground viewers in the real-world material origins of systemic anti-cancer treatments through the specific lens of one patient’s course of treatment.

For Edinburgh Doors Open Day, we are delighted to welcome McDonald and Panneels, who will display one original glass cast, films featuring reflectance transformation imaging of all the casts, and informational leaflets for audiences to take away with them.

A full artists’ statement is available here:

Can AI Represent Care?

As our reliance on artificial intelligence (AI) grows, we invite you to reflect on what it reveals about our understanding of care and later life, and how to use AI tools responsibly.

Can AI Represent Care? project featured as part of Doors Open Day 2025 explores how AI-generated images can uncover biases and misconceptions about care in our society, and the role of technology in shaping these perceptions. What does care mean in our daily lives, and can AI ever understand care?

Can AI Represent Care? project is led by Melody Wang, PhD student at the University of Edinburgh, with a research focus on participatory design, older adults, and care technology as part of Images of Care project led by Dr. Nichole Fernandez, research fellow at the University of Edinburgh, visual sociologist and media studies.

For more information of the underpinning research, please visit the Images of Care research website below

LLooM: Weaving Stories of AI

LLooM is an interactive textile installation that invites people to share their own encounters with AI, by Kimberley Paradis, PhD student at the Centre for Doctoral Training (CDT) for Responsible and Trustworthy Natural Language Processing (NLP).

For Doors Open Day 2025, Paradis invites you to write your own AI story on strips of fabric and weave together into a collective loom to create a physical tapestry. The weaving process turns individual contributions into a larger picture, showing how experiences of AI connect and diverge across everyday life.

The installation is designed to encourage open discussion about what it truly means for AI to succeed or fail, and how those ideas shift depending on context. It invites people to think about the role of AI in everyday life and as something that can shape emotions, choices, and relationships. By combining storytelling with textile craft, LLooM offers a way to slow down, share perspectives, and collectively reflect on the boundaries between human and artificial intelligence.

Kimberley is a PhD student in the CDT for Responsible and Trustworthy NLP, researching community-based approaches to NLP and exploring how participatory methods can make generative AI safer for Queer people by challenging technocratic structures and centering grassroots knowledge in AI and data governance.

Exploring Creative Flow with NeuroCreate

Would you like to consistently get into the zone and enter Flow states? Dr Shama Rahman’s research in the neuroscience & complex systems of creative cognition, has identified a signature brain pattern underlying ‘Flow’ mental states.

We know Flow states enable us to reach our creative potential and overall peak performance. Flow states also improve cognitive flexibility, are intrinsically motivating and increase engagement & attention, and importantly, being in Flow improves mood & stress resilience. Research has shown that training Flow can improve one’s cognitive abilities. Yet Flow remains an elusive state. In order to train it, we should know when we are in Flow in the first place!

Through her startup NeuroCreate, Dr Rahman has developed a participatory artwork and interface, Zeitgeist, that analyses whether participants are in a Flow state and represents their Flow visually.

For Doors Open Day 2025, Shama will share a working prototype that allows participants to choose their favourite colour, and the more in Flow they are, the more this colour will glow brighter as participants learn to associate this visualisation to how they feel internally. Two participants can do this together whilst they are engaged in collaborative activities together! Participants’ brain activity is measured through consumer wearables, and this is classified through deep-learning AI models developed by NeuroCreate.

Zeitgeist flow software logo. 

Image credit: NeuroCreate.
Image of Dr Shama Rahman

This event is part of both Doors Open Day 2025 and Explorathon 2025.

Doors Open Day 2025 logo

This project has received funding through the UKRI Horizon Europe Guarantee Fund under Grant Ref: EP/Z001099/1

Design Informatics

Website: designinformatics.org

Instagram: designinformatics

Twitter: @DesignInf

Inspace

Website: inspace.ed.ac.uk

Instagram: inspacegallery

Twitter: @InspaceG