We are back again this year partnering with the Edinburgh Science Festival to bring you two featured exhibitions. The details are all under wraps until the programme launch in February 2026, so watch this space.
Science is more than knowledge – it’s a shared pursuit that transcends borders, uniting people, ideas, and discoveries in a global endeavour to create a future that’s fairer, healthier and sustainable for all.
Exploring the theme Going Global, Edinburgh Science Festival 2026 will showcase the research and innovation created through international partnerships that address shared challenges, directly aligning with the UN Sustainable Development Goals (SDGs).
The Festival will highlight Scotland’s contribution to scientific advances through research, innovation and its extraordinary people.
Edinburgh Science
Check back with us in February for the announcement of this year’s featured exhibitions!
Join us for this workshop led by Dorsey Kaufmann, part of Digital Ghosts exhibition programme.
Come along to this workshop to experience “digital ghosts” with artist Dorsey Kaufmann to discover for yourself how data visulisation can help us to better understand archives and their cultural significance.
This workshop explores “digital ghosts”—data that evolves, disappears, or behaves unpredictably. Led by artist Dorsey Kaufmann, whose work transforms Scottish web archive data into immersive visual experiences, you’ll get to examine how visual design can reveal patterns of digital disappearance and question how cultural memory is shaped by what is saved and what is lost.
We’ll begin with an exhibition walk-through of interactive visualisations addressing absence and missing-ness in data, then create our own visual metaphors using cyanotype, light, and other tactile media to illuminate archival gaps.
Designed for those working with non-linear or messy data, the session invites participants to bring questions and ideas for engaging with both presence and absence. Together, we’ll examine how archival choices shape what is remembered or forgotten, challenging the notion of data as whole or objective and reflecting on the narratives hidden in what’s lost or never captured.
This workshop has limited capacity and so registration is preferred. Participants with tickets are guaranteed entry, drop-in attendance is welcome, but will be on a first come first served basis.
If you have any enquiries about the events and the venue, please contact us at designinformatics@ed.ac.uk .
Please note this workshop will be photographed, and may be used for future marketing, promotional or archive purposes. If you would prefer not to be photographed, please let us know at the event.
Facilitator
Dorsey Kaufmann is a data visualisation designer, artist, and researcher who creates interactive data interfaces and participatory art installations. Employing digital design, data visualisation, code, sculpture, video, and technology; her work embodies the intimate and personal aspects of data collection and use – concerning people’s health, homes, local environment, and body politics. Her research further examines the use of visualisation as a creative medium to increase data literacy and shape human cognition, attitudes and behaviour in relation to the natural environment (see Nature article).
Join us for this exhibition late and panel discussion, part of Digital Ghosts exhibition programme.
Step into the forgotten corners of the internet with an exhibition that transforms real web archive data into playful, thought-provoking artworks. From vanished websites to fading digital traces, this exhibition invites you to reflect on what’s preserved, what’s lost, and what that reveals about our identities and values.
As the lines blur between online and offline life, the exhibition asks: who decides what’s worth remembering, and how does that shape our shared story?
During the Exhibition Late, the team behind the project will host a panel discussion on Scotland’s digital footprints. We’ll explore how web archives are created, what gets included or left out, and why those choices matter, offering a behind-the-scenes look at the politics of web preservation.
Speakers: Andrea Kocsis – Chancellor’s Fellow in Humanities Informatics Dorsey Kaufmann – Data visualisation designer, artist, and researcher Graeme Hawley – Head of Published Collections, National Library of Scotland Eilidh MacGlone – Web archivist, National Library of Scotland Parker Kaufmann – Data visualization specialist and web developer Coleman Tharpe (moderator) – Independent Heritage Researcher
Date: Thurs 6 Nov 2025 Time: 18:00-20:00 | Free/Ticketed Location: Inspace, 1 Crichton St, Edinburgh, EH8 9AB Audience: General public (under 18’s must be accompanied by an adult)
This event has limited capacity and so registration is preferred. Participants with tickets are guaranteed entry.
If you have any enquiries about the events and the venue, please contact us at designinformatics@ed.ac.uk
Please note this event will be recorded and photographed. Video and Phorotraphs will be used for future marketing, promotional, reporting and archival purposes. If you would prefer not to be filmed or photographs, please let us know at the event.
Speakers
Dr Andrea Kocsis is a Chancellor’s Fellow in Humanities Informatics, specialising in digital cultural heritage. Her recent research explores how web archives can be made more accessible, usable, and engaging through user-centred design and creative practice and how they can be repositories of collective memory. To explore this topic, she has held the National Librarian’s Research Fellowship in Digital Scholarship at the National Library of Scotland (2024–25) and the Archives of Tomorrow Methods Fellowship at Cambridge University Library/Cambridge Digital Humanities (2022–23), and is the lead investigator on the BA/Leverhulme Small Grant project Digital Ghosts – Exploring Scotland’s Heritage on the Web (2025–26), that serves as the basis for the exhibition.
Dorsey Kaufmann is a data visualisation designer, artist, and researcher who creates interactive data interfaces and participatory art installations. Employing digital design, data visualisation, code, sculpture, video, and technology; her work embodies the intimate and personal aspects of data collection and use – concerning people’s health, homes, local environment, and body politics. Her research further examines the use of visualisation as a creative medium to increase data literacy and shape human cognition, attitudes and behaviour in relation to the natural environment (see Nature article).
Graeme Hawley is Head of Published Collections at the National Library of Scotland, where he has worked since 2002. The collection he is responsible for begins with a copy of the Gutenberg Bible and continues to grow every day with the receipt of modern publications across a range of formats, including websites. He finds the challenges of working across centuries of publications in different formats endlessly fascinating, with similarities and contradictions to be explored at every turn.
Eilidh MacGlone’s varied library career has taken in working in the library of John Wheatley College and cataloguing film at the Scottish Screen Archive, later the Moving Image Archive at National Library of Scotland.
As Web Archivist, she has helped the Library’s curators build collections around the online aspects of Scotland’s public sphere since 2014. This has included its news, the Scottish Independence Referendum debate and government information; more recently, working cooperatively with other legal deposit libraries in the UK, including the British Library and National Library of Wales, to build a collection for the Women’s Rugby World Cup.
Parker Kaufmann is a data visualization specialist and web developer with a passion for translating complex data sets into meaningful visualizations that empower users to make informed decisions. Throughout her career, she has worked with diverse clients from industries like aerospace, healthcare, marketing, and journalism. Using tools like D3.js and React, she conceptualizes and implements robust web applications that host custom built data visualizations.
Coleman Tharpe is an independent heritage researcher based in Edinburgh, Scotland. His research explores the interactions between cultural heritage and Generative AI. In addition to academic research, his practice includes areas such as equity, inclusion, and accessibility in digital transformation, data governance, and community and creative heritage strategy and implementation.
After decades of AI cycles—hype, collapse, resurgence—we find ourselves in a new emotional terrain: not one of domination or replacement, but of resonance.
I & AI: Mirror(Co-Authoring Identity in the Mirror Realm) is an interactive mirror-world where audiences and AI observe, reflect, and shape one another.
Set within a softly responsive, ambient environment, participants move through three experiential phases: interaction, interpretation, and intimacy. The AI does not simply display data—it listens, learns, and gradually reveals how it perceives human presence. As interactions accumulate, participants’ inputs are transformed into co-authored outputs. By integrating immersive technologies with AI—such as motion capture, generative AI, augmented reality, and spatial augmented reality—the work transforms your input into real-time, dynamic mosaics of identity.
The AI becomes more “I-like” (I-dentity), while the human becomes entangled in the AI-dentity. By softening traditional techno-aesthetics and foregrounding emotion, transparency, and co-creation, I & AI: Mirror invites co-reflection—rethinking identity as something constructed in tandem with intelligent systems.
I & AI: Mirror
An immersive installation exploring Human–AI intimacy
Throughout the exhibition, audiences’ input becomes part of a shared memory network. These traces are visualised and interpreted in a scheduled live performance, at 6pm on Friday the 24th October, where human performers, audio-visual artist and dancers, collaborate with the AI in real time to embody this growing relational “I”dentity and “AI”dentity. Through this installation and the accompanying performance AI’s process is made transparent and explainable—not hidden behind opaque systems, but revealed through dynamic visuals and emotional cues that invite audiences into its learning logic.
AI can be seen as collaborator, predator; mentor, manipulator; listener, snitch; lover, rebound partner. This work seeks to create a version of AI that is more ‘I-like’ (I-dentity), where the human becomes entangled in the “AI”dentity, questioning if it is possible to meaningfully co-author with AI.
This project is led by Jiarong Yu, and developed through Co-STEAM, an experimental platform founded by Jiarong to explore human–human–AI cocreativity and transdisciplinary embodied learning across Science, Technology, Engineering, the Arts, and Mathematics (STEAM).
If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk.
Performance
I & AI: Mirror performance is a real time live collaboration with AI, featuring human performers, to accompany the installation. This performance seeks to embody the growing relational “I”dentity and “AI”dentity, visualising and interpreting I & AI Mirror evolving immersive installation.
A performance of real time live collaboration with AI, featuring human performers exploring Human–AI intimacy.
After decades of AI cycles—hype, collapse, resurgence—we find ourselves in a new emotional terrain: not one of domination or replacement, but of resonance.
I & AI: Mirror(Co-Authoring Identity in the Mirror Realm) is an interactive mirror-world where audiences and AI observe, reflect, and shape one another.
Performance Details
I & AI: Mirror performance is a real time live collaboration with AI, featuring human performers, to accompany the installation. This performance seeks to embody the growing relational “I”dentity and “AI”dentity, visualising and interpreting I & AI Mirror evolving immersive installation.
If you have any enquiries about Inspace programming and the venue, please contact us at designinformatics@ed.ac.uk .
Immersive installation
Set within a softly responsive, ambient environment, participants are invited to move through three experiential phases: interaction, interpretation, and intimacy. The AI does not simply display data—it listens, learns, and gradually reveals how it perceives human presence. As interactions accumulate, participants’ inputs are transformed into co-authored outputs. By integrating immersive technologies with AI—such as motion capture, generative AI, augmented reality, and spatial augmented reality—the work transforms your input into real-time, dynamic mosaics of identity.
This project is led by Jiarong Yu, and developed through Co-STEAM, an experimental platform founded by Jiarong to explore human–human–AI cocreativity and transdisciplinary embodied learning across Science, Technology, Engineering, the Arts, and Mathematics (STEAM).
We are delighted to share the upcoming series of exhibitions and events taking place in Inspace over the coming months, promising to bring you an inspiring fusion of art, design, research and technology.
Our pop-up exhibition for Edinburgh Doors Open Day and Explorathon 2025 presents several visual and interactive displays inviting you to gain insights into cancer treatment through a series of intimate portraits, to reflect on the role of AI in the context of aging, to experience ‘Flow’ protoype headset: a tool to measure mental states for wellbeing, and to share your own stories about AI in everyday life.
I & AI: Mirror, performance and immersive installation invites you bathe in the interactive mirror-world, created by Jiarong Yu, through experimental platform Co-STEAM, a softly responsive, ambient environment, where human becomes entangled in the “AI”dentity, questioning if it is possible to meaningfully co-author with AI.
Digital Ghostspresents students’ work alongside a commissioned centerpiece by multimedia artist Dorsey Kaufmann, and data visualization developer Parker Kaufmann, inviting you to go on a reflective journey to explore real web archive data and question what’s preserved, what’s lost, and who decides what’s worth remembering?
Programme overview
Edinburgh Doors Open Day and Explorathon
Where architectural heritage meets technology driven futures
10:00-14:00 | Sun | 28 Sept 2025
As part of Doors Open Day 2025 and Explorathon 2025, we are delighted to be opening the doors of Inspace and the Institute for Design Informatics Studio and Workshop to showcase a snapshot of behind the scenes activity and current research taking place at the Institute. This pop-up exhibition with will be accompanied by guided tours of this unique progressive exhibition facility, and the adjacent Bayes Centre. Inspace was designed by Reiach and Hall architects in 2009, and serves as a collaborative hub, commissioning and producing an ambitious events and exhibitions programme bringing together art, design, technology and research.
Set within a softly responsive, ambient environment, this exhibition invites you to interact with, interpret and get intimate with AI. This exhibition programme will feature a real time live and collaborative performance where AI and human performers come together to explore Human–AI intimacy.
Through the softening of traditional techno-aesthetics and foregrounding emotion, transparency, and co-creation, this work invites you to take part in co-reflection and to rethink identity as something constructed in tandem with intelligent systems.
Join artists and students from the University of Edinburgh as they invite you to step into the forgotten corners of the internet with an exhibition that transforms real web archive data into playful, thought-provoking artworks. From vanished websites to fading digital traces, this exhibition invites you to reflect on what’s preserved, what’s lost, and what that reveals about our identities and values.
This exhibition will also feature a late event, with panel discussion and a workshop where you are invited to join multimedia artist Dorsey Kaufmann in examining how visual design can reveal patterns of digital disappearance and question how cultural memory is shaped by what is saved and what is lost.
In the Institute for Design Informatics, we fuse design and creative methodologies with data, data science and data-driven technologies. We create prototypes and experiences that make real to people the ideas that underpin the data society, and aim to ensure that new technologies sustain and enhance human values.
An exciting support opportunity has opened in the Institutes for Design Informatics, Inspace and OPENspace!
We’re Hiring
Research Centres Support Assistant
Research Centres Support Assistant
The successful postholder will provide and contribute administrative assistance and support, working within established processes and procedures, as well as advising of new ones, for the running of two of ECA’s Research Centres: Design Informatics and OPENspace. Design Informatics works across teaching, research and engagement, including the public-facing Inspace venue which this role provides additional support for (e.g. though venue booking and diary management, front of house invigilation during exhibitions). This role also supports the ECA Postgraduate Office with administrative assistance for the student placements and field trips within the Design Informatics teaching programme. OPENspace is an international research centre for inclusive access to outdoor environments, this role provides administration for work including OPENspace’s research seminar series.
Inspace runs a select programme of exhibitions, open to the public, at key times throughout the year. During these times, the working days for this role are usually Tuesday – Saturday 9.15am-5.15pm. In the month of August and occasionally for key strategic events (e.g. Science Festival, Edinburgh Doors Open Day, Summer Festivals), the working schedule can be adjusted to include Sunday and Monday working (maintaining a 5-day week).
This post is full-time (35 hours per week). This role will usually be based on campus but we are able to accommodate some limited hybrid working.
The salary for this post is £26,093 – £29,588 per annum.
Your skills and attributes for success:
Excellent communication skills orally and in writing, with the ability to communicate well with both internal and external contacts.
Strong numeracy skills with previous experience of financial administration, and financial and database systems.
Highly developed IT skills and experience, and ability to quickly learn and use new packages and booking systems.
Ability to understand own work priorities and those of colleagues, in order to plan and prioritise workload on a daily basis, to facilitate achievement of research project timetable of events, and to manage time across two research centres.
Ability to work under pressure in a busy environment, to use initiative and judgment to resolve many day-to-day problems independently.
Click below to view a copy of the full job description (opens new browser tab)
Please ensure you include the following documents in your application: – CV – Cover letter
As a valued member of our team you can expect:
A competitive salary
An exciting, positive, creative, challenging and rewarding place to work.
A work environment where we support and nurture your talent and reward success.
To be part of a diverse and vibrant international community
Comprehensive Staff Benefits, such as a generous holiday entitlement, competitive pension schemes, staff discounts, and family-friendly initiatives. Check out the full list on our staff benefits page(opens in a new tab) and use our reward calculator to discover the total value of your pay and benefits
Championing equality, diversity and inclusion
The University of Edinburgh holds a Silver Athena SWAN award in recognition of our commitment to advance gender equality in higher education. We are members of the Race Equality Charter and we are also Stonewall Scotland Diversity Champions, actively promoting LGBT equality.
Prior to any employment commencing with the University you will be required to evidence your right to work in the UK. Further information is available on our right to work webpages(opens new browser tab)
Key dates to note
The closing date for applications is [9th October 2025].
Unless stated otherwise the closing time for applications is 11:59pm GMT. If you are applying outside the UK the closing time on our adverts automatically adjusts to your browsers local time zone.
About the Institute for Design Informatics
In the Institute for Design Informatics, we fuse design and creative methodologies with data, data science and data-driven technologies. We create prototypes and experiences that make real to people the ideas that underpin the data society, and aim to ensure that new technologies sustain and enhance human values.
Inspace is part of the Institute for Design Informatics and is a collaborative hub, commissioning and producing creative activity. Our public programme connects data, research and creative talent. We host events and exhibitions where people can explore, learn, debate and create. Our programme unlocks digital technologies, tools and data and explores their role in society through a creative lens. We are home to Inspace City Screens, a unique seven screen street front projection space visible from Potterrow in Edinburgh.
About OPENspace
OPENspace is an international research centre, based in the Edinburgh School of Architecture and Landscape Architecture, Edinburgh College of Art, collaborating with colleagues in other Schools both within the University of Edinburgh and beyond, contributing new evidence on why inclusive access to the outdoors matters. Addressing the full spectrum of open space environments, from city parks and squares to remote rural landscapes, our work informs policy on health and wellbeing, social inclusion, countryside access and sustainable urban development. We focus on the benefits to be gained from getting outdoors and the barriers currently experienced by different users, particularly those from disadvantaged groups.
Presenting an exhibition of current research, in Inspace at the Institute of Design Informatics, a progressive exhibition facility, designed by Reiach and Hall architects in 2009, and serving as a collaborative hub, commissioning and producing creative activity through an ambitious events and exhibitions programme bringing together art, design, technology and research.
Join us at Inspace to experience technology driven research projects that explore patient experience in medical contexts and how AI-generated images can uncover biases and misconceptions about care in our society. Write your own AI stories and chat to researchers about current projects Picture Your Poisons, Can AI Represent Care? and LLooM: Weaving Stories of AI, and the topics they are exploring.
Image Credit: Speaking towards One Another Performance 2025. Photographer Chris Scott
Picture Your Poisons is an intimate portrait of a cancer treatment journey by Caitlin McDonald and Inge Panneels, who worked together in 2023, to create six glass casts representing visual references to the substances and processes forming Caitlin’s cancer treatments.
The glass casts in Picture Your Poisons ground viewers in the real-world material origins of systemic anti-cancer treatments through the specific lens of one patient’s course of treatment.
For Edinburgh Doors Open Day, we are delighted to welcome McDonald and Panneels, who will display one original glass cast, films featuring reflectance transformation imaging of all the casts, and informational leaflets for audiences to take away with them.
As our reliance on artificial intelligence (AI) grows, we invite you to reflect on what it reveals about our understanding of care and later life, and how to use AI tools responsibly.
Can AI Represent Care? project featured as part of Doors Open Day 2025 explores how AI-generated images can uncover biases and misconceptions about care in our society, and the role of technology in shaping these perceptions. What does care mean in our daily lives, and can AI ever understand care?
Can AI Represent Care? project is led by Melody Wang, PhD student at the University of Edinburgh, with a research focus on participatory design, older adults, and care technology as part of Images of Care project led by Dr. Nichole Fernandez, research fellow at the University of Edinburgh, visual sociologist and media studies.
For more information of the underpinning research, please visit the Images of Care research website below
LLooM is an interactive textile installation that invites people to share their own encounters with AI, by Kimberley Paradis, PhD student at the Centre for Doctoral Training (CDT) for Responsible and Trustworthy Natural Language Processing (NLP).
For Doors Open Day 2025, Paradis invites you to write your own AI story on strips of fabric and weave together into a collective loom to create a physical tapestry. The weaving process turns individual contributions into a larger picture, showing how experiences of AI connect and diverge across everyday life.
The installation is designed to encourage open discussion about what it truly means for AI to succeed or fail, and how those ideas shift depending on context. It invites people to think about the role of AI in everyday life and as something that can shape emotions, choices, and relationships. By combining storytelling with textile craft, LLooM offers a way to slow down, share perspectives, and collectively reflect on the boundaries between human and artificial intelligence.
Kimberley is a PhD student in the CDT for Responsible and Trustworthy NLP, researching community-based approaches to NLP and exploring how participatory methods can make generative AI safer for Queer people by challenging technocratic structures and centering grassroots knowledge in AI and data governance.
Exploring Creative Flow with NeuroCreate
Would you like to consistently get into the zone and enter Flow states? Dr Shama Rahman’s research in the neuroscience & complex systems of creative cognition, has identified a signature brain pattern underlying ‘Flow’ mental states.
We know Flow states enable us to reach our creative potential and overall peak performance. Flow states also improve cognitive flexibility, are intrinsically motivating and increase engagement & attention, and importantly, being in Flow improves mood & stress resilience. Research has shown that training Flow can improve one’s cognitive abilities. Yet Flow remains an elusive state. In order to train it, we should know when we are in Flow in the first place!
Through her startup NeuroCreate, Dr Rahman has developed a participatory artwork and interface, Zeitgeist, that analyses whether participants are in a Flow state and represents their Flow visually.
For Doors Open Day 2025, Shama will share a working prototype that allows participants to choose their favourite colour, and the more in Flow they are, the more this colour will glow brighter as participants learn to associate this visualisation to how they feel internally. Two participants can do this together whilst they are engaged in collaborative activities together! Participants’ brain activity is measured through consumer wearables, and this is classified through deep-learning AI models developed by NeuroCreate.
Join us for a captivating journey through time and innovation at Bayes Centre and Inspace, located within the University of Edinburgh’s city centre campus. As part of Edinburgh Doors Open Day 2025 programme, “Windows to the Past, Doors to the Future” this event invites you to explore the diverse tapestry of buildings and infrastructure at the Bayes Centre complex that shapes innovation.
Come along to this event to experience guided tours and celebrate the award-winning architecture of the Bayes Centre complex, offering a unique opportunity to appreciate how architectural heritage merges with and supports current and future innovation.
The Bayes Centre is the University of Edinburgh’s Innovation Hub for Data Science and Artificial Intelligence. The technical strengths brought together in the Bayes Centre build on world-leading academic excellence in the mathematical, computational, engineering, and natural sciences in the University of Edinburgh’s College of Science and Engineering. The Bayes Centre offers a new kind of collaborative, multidisciplinary proving ground where we develop innovative technological solutions for the benefit of society.
Inspace is a dynamic exhibition and events space, part of the Institute for Design Informatics, which focuses on fusing design and creative methodologies with data, data science and data-driven technologies. Learn about the cutting-edge facilities at Inspace, including interactive technologies and pioneering design features that inspire creativity and exploration through connecting art, design, research and technology. Venture behind the scenes to visit our studio and workshop where student and staff create prototypes and experiences that make real to people the ideas that underpin the data society, and engage with multimedia displays and hands-on activities that highlight a snippet of the Institutes research.
Event details
Date: Sunday 28th September 2025 Time: 10:00 – 14:00 Locations: Bayes Centre, Inspace, Design Informatics Studio and Workshop
Exhibitors
As part of Doors Open Day 2025, Inspace will present a selection of research projects, these exhibits will be excerpts of current research being explored by researchers at the Institute for Design Informatics. More details can be found on our Doors Open Day exhibition page.
Tours
First tour 10.15 am Last tour 1.15 pm Tours begin every 45 minutes
Drop-in visitors are welcome to visit displays, interactive activities and exhibitions across both venues, but please note, that official tours have a maximum capacity and attendance without a ticket cannot be guaranteed.
Route: Starts at the main entrance to the Bayes Centre. Attendees are taken up to the Bayes Centre roof top and then will be guided back downstairs while being provided with a brief history of the Centre before arriving in the Atrium with the robotics lab. Attendees are then taken for a Tour of Inspace, the Design Informatics studio and workshop. Attendees are welcome to stay in Inspace to view pop-up displays.
Step into the forgotten corners of the internet with an exhibition that transforms real web archive data into playful, thought-provoking artworks. From vanished websites to fading digital traces, this exhibition invites you to reflect on what’s preserved, what’s lost, and what that reveals about our identities and values.
This exhibition is the outcome of an interdisciplinary project led by Dr Andrea Kocsis, in collaboration with multimedia artist Dorsey Kaufmann. Together, they assembled a team of archivists and librarians from the National Library of Scotland along with visualization developer Parker Kaufmann and Informatics MSc (Master of Science) students to explore novel computational and creative visualization techniques that enable public engagement with web archives.
Using exploratory visualization and interaction techniques, the exhibition pieces seek to uncover insights within the data and craft compelling visual narratives to engage wider audiences in the cultural significance of past, present and future web archives.
Three of the works were first created by Informatics MSc students Mansi Manoj, Qianhui Meng, and Shuyu Zhang under the supervision of Dorsey Kaufmann. Kaufmann and Parker recently launched their data visualization studio Feeling Data, which adapted and expanded the students’ projects for public interaction, as well as producing two new works. The ‘Digital Ghosts’ centrepiece is an artist commission in which Kaufmann experiments with physicalising web archive data through UV projection onto cyanotype.
Digital Ghosts
An exhibition that transforms real web archive data into playful, thought-provoking artworks
Visualising Presence and Absence in Scotland’s Web Archives
This workshop explores “digital ghosts”—data that evolves, disappears, or behaves unpredictably. Led by artist Dorsey Kaufmann, whose work transforms Scottish web archive data into immersive visual experiences.
Facilitator: Dorsey Kaufmann Date: Sat 15 Nov 2025 Time: 13:00-14:30 | Free/Ticketed Location: Inspace
