Identity 2.0

Identity 2.0 is a creative studio imagining better digital futures. Their work explores inclusive stories about our relationship to technology.

Since 2018, they’ve transformed research into creative mediums and playful knowledge spaces and have worked with Stop Killer Robots, The Royal Society, and Museum of London. They have also spoken at the World Wide Web Foundation, University of Oxford and University Arts of London about curating exhibitions, using art for social change, and creative entrepreneurship.

www.identity20.org

Julie Freeman

Julie Freeman works with natural living systems and emergent technologies. Her large scale installations, sound sculptures and online artworks have, since the early 1990s, pioneered her conceptual and critical approach to working with sound and real-time data as living and malleable art materials. 

Julie has shown work at leading institutions including the V&A, the ICA, Modern Art Oxford, the Barbican and the Science Museum, as well as internationally. She has been recognised by many organisations including the BBC, The Guardian, and New Scientist.  

Julie founded the Open Data Institute’s art programme ‘Data as Culture’ in 2012. She is a TED Fellow, co-founder of Fine Acts, and runs Translating Nature, a digital and data art studio. 

www.translatingnature.org

Kiki Shervington-White

Kiki is a visual artist and multimedia storyteller based out of Birmingham. She has a degree in Design for Art Direction from the University of the Arts, and over five years of experience in content creation for TV, film, and social media. Specialising in visual communication, Kiki uses her experience of public engagement in science, cultural organising and creative placemaking to explore the intersection of art direction and interaction design within communications, firmly believing that storytelling can drive positive change.

Kiki is dedicated to promoting equitable and inclusive creative experiences for all and takes a culturally responsive approach to producing engaging media that resonates with Black communities in the UK, in particular. She is committed to uplifting Black Women in their communities to ensure that everyone has the opportunity to participate fully in society.

www.civicsciencemedia.com

Louise Ashcroft

Speaking fiction to power, Louise Ashcroft’s work meddles with the bizarre logic of late capitalism and playfully addresses its social issues. Her recent film ‘What to Expect When You’re Not Expecting’ (2024) is a research-comedy foray into the fertility industry’s inequalities and her own queer journey to non-parenthood. A related project ‘No Kids Nursery Rhymes’ (2024-5) surveyed 180 childfree (by choice or otherwise) people, turning their complex experiences into catchy songs, which were sung by a choir of non-parents. In other work, Louise is anarchically redesigning St.Peter’s School Huntingdon in partnership with Wysing Arts Centre and hundreds of pupils who are making animated cardboard dioramas.

Past projects have involved guerrilla residencies in shopping centres, a generative storytelling coat with 50 pockets which turns feely trash into collectively improvised fables, and a collab with recycling plant workers in Exeter searching for the dark sublime of landfill by making glitchy e-waste instruments. 

www.louiseashcroft.org

Rachel Maclean

Rachel Maclean has spent the last decade showcasing her ground-breaking work in galleries, museums, film festivals and on television. Working across a variety of media, including video, digital print, paintings and VR, she makes complex and layered works that reference politics, fairy tales, celebrity culture and more. 

She has shown her work widely, both in the UK and internationally, receiving critical acclaim in the spheres of film and visual art. Her major exhibitions include solo shows at Tate Britain and National Gallery, London; Arsenal Contemporary, New York; National Gallery of Australia, Canberra; Kunsthalle zu Kiel, Germany;  and KWM Art Centre, Beijing. Maclean represented Scotland at the Venice Biennale in 2017 with her film commission Spite Your Face. 

 In 2013, Maclean was awarded the prestigious Margaret Tait Award. She has been twice shortlisted for the Jarman Award.  

www.rachelmaclean.com

Studio Above&Below

Studio Above&Below is an award-winning art and technology practice founded by Daria Jelonek (DE) and Perry-James Sugden (UK) after graduating from the Royal College of Art. Grounded in research-based methodologies, their work bridges the gaps between humans, machines, and our umwelt, exploring how media art can foster more meditative, healing, and sustainable interactions with our surroundings.

Since its founding in 2018, the duo has specialised in creating immersive artworks that combine Mixed Realities (XR), digital art, and data systems to make invisible phenomena tangible, challenging predetermined technological structures. Their large-scale public artworks integrate advanced technologies, such as real-time environmental data and meditative scenography, to give our umwelt a voice and reveal the unseen.

Wesley Goatley

Wesley Goatley is a critical artist and researcher based in London, UK. His work critically interrogates the myths and manipulations of the AI industry and its relations to society, geopolitics, and the climate crisis, and how art practice can intervene.

He has given talks on his practice and research at events such as Global Art Forum Singapore, the McLuhan Center for Culture and Technology in Toronto, CTM Festival Berlin, and the European Data Forum Eindhoven.

His installations, performances, and films have been shown at international venues including Eyebeam in New York, Berghain in Berlin, The Nam June Paik Art Center in Seoul, and the Victoria & Albert Museum in London. He has a 25-year practice as an experimental performer and musician, including work for labels such as Kranky (US) and Southern (UK).

www.wesleygoatley.com